Curse Merchant Promotion Campaign Starts in January

We’re all elbow-deep in the holiday season, and in this hiatus between visiting relatives, indoor and outdoor decorating, cooking, shopping, and binge drinking… I thought I’d take a moment to outline my plans for the first of the year.

To begin with, the shiny people over at Full Moon Bites are orchestrating a blog tour for The Curse Merchant. I’ll be doing guest posts on other blogs, and will be returning spots on my blog in kind. I have a couple authors lined up already who I think will provide some interesting insights!

It's so official... it hurts!

It’s so official… it hurts!

Since exposure for the novel will be on the swell in January (and doesn’t THAT just sound filthy?), I’m planning a couple additional events to launch in tandem.

The first is something I’ve mentioned previously… I’ll be releasing a short story prequel to the Curse Merchant (working title “Good Fences”… though I might actually choose a better name once editing is done) for free on Amazon and Smashwords. Though sample chapters of Curse Merchant are available, I felt it would be beneficial for a prospective reader to have a bite-sized story ready to consume, so they can get a feel not just for how I write, but for how I tell a story.

Second, I’ll wrap up January with a week-long series on this blog wherein I will be posting photographs in and around the Baltimore area of the real-world locations which inspired or exemplify the settings in The Curse Merchant. So if you haven’t read it yet… run over to one of the online retailers and snag a copy so you’ll be able to play along at home!

That’s it for now… I missed Cyber Monday by a few miles and have some shopping to execute. Stay safe and sane my friends!

A Welcome Interruption to Normalcy

Halloween.

It’s one of my favorite holidays. Easily ranks in the top three. Halloween and Thanksgiving still vie for the Number Two spot just behind Christmas, mostly because I’m a gluttonous bastard.

Just like Christmas, Halloween reaches deep into the wonderment of childhood, to a time when magic was real, nighttime was scary, and monsters were the things we dreaded most. We were given free license to dress up, hide behind masks, indulge in the darker aspects of life and being. It was different… a change in the average life. A welcome interruption to normalcy.

Then we grew up. We learned that magic was make-believe, night was when you recovered from the day, and the things we dreaded most usually arrived in your mailbox once a month. We adopted our uniforms of the workplace, church, and the living room… which were openly and savagely enforced. We were encouraged to shun the darker aspects as they either lead to crime, immorality, or a breach of the social norms that lead to ostracism and sometimes persecution. Interruptions to normalcy were never welcome.

Thus Halloween calls to us from that misty moonlit evening. That boy in the cheap-ass plastic G.I.Joe mask is still clutching his pumpkin pail full of candy bars. That girl in the black pointy hat and bright green tutu is still watching out the front window, waiting for it to be dark enough to go trick-or-treating. They’re still kids. They still believe in magic and monsters. And it’s not their fault that we’ve locked them away inside our veneer of maturity.

Thus while many religious extremists eschew the perceived evil of the holiday, and many mainstreamers bemoan the sexualization and commercialization of the Halloween… I sit in the window waiting for it to get dark enough to go trick-or-treating. I have a five-year-old watching alongside me, now. And on Halloween night, we’re basically operating on the same level. We’re both bored with normal.

Do I love Halloween? O postive-ly!

Come November, we return to the uniforms of the workplace and of living space. We shrink away from superstition and imagination.

Unless, of course, we welcome more interruptions to normalcy.

The Curse Merchant eBook Now Available for Purchase!

I had originally planned to launch The Curse Merchant on Halloween, but there’s a large confluence of meteorological Hell bearing down on the Mid-Atlantic, and I can’t be sure I’ll have power in the middle of the week. That’s the bad news.

Here’s the good news…

I’ve gone ahead and made The Curse Merchant available for purchase now!

Finally, the long national nightmare is over!

The Curse Merchant is available on Amazon for your Kindle. Alternately I’ve uploaded it to Smashwords, so if you have a reading device that uses ePub formats, you can purchase an ePub copy there. It will be distributed to Barnes & Noble online and Apple iBooks in the next couple weeks. I’ve been asked if I will make it available in print. The short answer is: maybe. If I see strong eBook sales numbers, I’ll pull the trigger on a Print-on-Demand version.

So, this is it… you’ve heard me talk all about it for the last year or so. Time to go pick up a copy and dive into the opening salvo of the Dark Choir series. Spread the word! And if you’ve read it, please consider posting a review to share your honest thoughts.

Let me take a moment to thank my wife for bearing with me during my obsession with bringing fiction to market. You’re the best!

Voracious Readers – Inquire Within

As a regular Fistful of Fiction reader, you already know that my latest novel, The Curse Merchant, will be available for sale on October 31 of this year. That’s only 27 days away! That’s three to the third… hmm, numerologically auspicious!

If you enjoy dark fiction, character-centered storytelling, and/or a noir flavor to your urban fantasy, you’re going to love Curse Merchant. I’ll just go ahead and say it. Love it. And as if you weren’t already giddy enough with anticipation, I’m extending a special offer to my early followers.

Between now and the release date, I am offering free digital advance reader copies of The Curse Merchant to my blog readers and Facebook Author Page followers!

This book is TOTALLY worth skipping yoga for!

Yep… it’s your chance to read my book completely free, no strings attached.

So, why in God’s Green Hell would I just give away my book ahead of the release date? Good question, and there are two good answers:

1. It’s my way of thanking and recognizing my very first fans. You’re awesome. Stop it, you are!

2. If you enjoy the book, then it’s my sincerest hope that you would feel compelled to spread the word. There are all kinds of ways to do this, from word-of-mouth to text-of-mouth to email-of-mouth… and of course when the release date comes rolling around, if I did my job as an author, you would want to write a review on Amazon and other online retailers.

Of course, there are no requirements or expectations. I just want to prime the pump and start generating buzz. This offer expires October 30th, so if you’re a blog reader, or if you follow my Facebook page, then leave a comment in either place before then, and I’ll get a digital copy of The Curse Merchant into your hot little hands. (PDF, MOBI, or ePub file formats)

And thanks again for following!

Image credit: FreeDigitalPhotos

Cover Reveal – The Curse Merchant

This journey began in May of 2011, shortly after I completed the first draft of Omnipotence. I got the idea for a story that blended a Jim Butcher style of urban fantasy with a more grounded, gritty realism bearing noir themes. I went through five different plot ideas before I landed on the skeleton of what would become The Curse Merchant.

It would be my sixth completed novel, but as I wrapped up drafting, I realized it was the first book I had written that had real commercial potential. I got excited. I took a course on editing, ran it past several beta readers, made painful deep revisions, and put as fine a polish on it as I could muster.

This novel spent six months on an agent query safari, and received lots of interest. Then I made my decision last month to self-publish. A chain of events cascaded, building its own momentum, leading up to this point. I hired a professional editor and an artist to create the cover art.

And now I’m thrilled to announce that The Curse Merchant will be available for purchase as an ebook on October 31st, 2012. So grab a big red sharpie and jot down “Buy J.P. Sloan’s Debut Novel” in big fat red letters on your calendars, just before trick-or-treating.

I chose Halloween for my release date partly because I’m unspeakably pretentious, but also because Curse Merchant carries deep themes of dark mystery, of sinister forces that lie just outside our notice. I think that really sums up the purpose of Halloween. It’s a time for suspending our disbelief, for questioning whether there’s a reason we’re afraid of the dark.

And this is just the beginning! I have the sequel already outlined, and have begun mapping out single-paragraph synopses of subsequent books. The Dark Choir series begins here…

And now, because I know you’re all eager to see it, here’s the cover for The Curse Merchant:

I’d like to thank Travis at ProBookCovers for his patience. Turns out I’m kind of particular when it comes to cover art, but he stayed with it until I had something I was excited about… and I am!

So there you go… October 31st.

Halloween Day.

The Dark Choir awakens!

Curse Merchant Announcement Coming on Monday

Hello, my friends… I wanted to give all of my blog readers a heads-up.

There will be news on Monday, Oct 1. Right here, on this blog, I will be revealing the cover for The Curse Merchant.

But wait, there’s more! I will also be announcing CM‘s release date.

In other news, I’ve decided it’s time to update my photos on my social media. Believe it or not, I’m no longer rocking a goatee. So this evening I’ll be taking up bar stool space at a lovely colonial era tavern for new headshots and promotional photos. With any luck at all, I won’t break the camera.

So, be sure to tune into the blog on Monday and check out the cover art, and find out when you’ll get a chance to purchase The Curse Merchant online. Maybe bring a friend or two…

Eric Kripke is My Corsican Twin

It is said that there are no new stories, that we simply re-hash the same handful of narratives over and over again in new ways. While there is a point to this sweeping generalization, from time-to-time a writer runs across a work that is substantially similar to his own. I’m not talking about plagiarism or even works that are subconsciously inspired by another. I’m talking about that awkward moment when you have a two-year-old manuscript sitting in the wings, just waiting for a final edit, and you hear about a successful new television series whose setup is basically the same as your novel.

More specifically, I’m talking about Eric Kripke.

For those who aren’t familiar with Eric Kripke, he is the series creator of Supernatural, and more recently… Revolution. But I’ll get to that in a second.

First, some interesting facts between myself and Mr. Kripke:

  • He was born in 1974.  I was born in 1974.
  • He was born in Ohio. Both of my parents are from Ohio.
  • He has one child; a son. I have one child; a son.
  • Both of our sons were born in 2007.

I am officially ooked out.

Now, I began this blog post discussing stories which are substantially similar, and there’s a point to all of this. I promise. But I wanted to take a quick jog over to NBC’s website and quote for you the plot summary for Kripke’s new series Revolution:

“…a family struggles to reunite in an American landscape where every single piece of technology – computers, planes, cars, phones, even lights – has mysteriously blacked out forever.”

Cool, huh? Now, let me take another quick jog about a year ago in this very blog where I quoted a pitch for my novel Omnipotence:

“After a global cataclysm wipes out all technology on Earth, five strangers across America discover they have been endowed with god-like abilities, and must learn how to deal with their powers… and each other.”

What we’re looking at here is the same basic setup. A mysterious cataclysm has caused all technology to fail inexplicably, throwing modern America into a kind of post-apocalypse based on our society’s reliance on electronics.

I’m detecting a pattern…

Now, before the eye-rolling commences, I want to be clear. I’m not actually complaining about Eric Kripke. In fact, I’m utterly amused at the similarities in our backgrounds and creative output. Granted, if I attempted to roll out Omnipotence within the next few months, there is a heightened probability that the average reader and/or agent would assume it was riding on Revolution‘s coattails. And that is unfortunate.

The good news is that Omnipotence remains on the shelf, and for good reason. It’s a bit too experimental for mass market appeal. It’s also a “powers” story, technically more similar to the movie Chronicle than Revolution. It could, however, make an interesting serial release. But that’s a thought for another day.

I’ve mentioned Joseph Campbell’s “monomyth” theory before on this blog. It’s a pattern that Campbell distilled from epic narratives throughout written history, and is often not only identified as the basic skeleton of most fiction, it’s often proposed as the intentional platform for which to frame one’s narrative. Time and again, I’ve boiled down movies and novels into the primary points along the Hero’s Journey.

Does this mean we as a species are inherently unimaginative? Not at all. The fact that we have re-told the same story over and over again in endless permutations is a testament to our ability to find nuance and enjoyment in this framework. But the fact of the matter remains… humans are hard-wired for specific storytelling mechanics. Three Act Structure, sympathetic protagonist, reflection characters, conflict and resolution… it’s in our DNA. And in that, we have absorbed the stories of our childhood, re-distilled them in our subconscious, and poured them back out into each other’s tumblers as our own concoction. Each story has its own spin, its own flavor, its own peculiar appeal.

And as long as the story is adequately rendered, there’s room at the table for everyone.

So all of that to say this… Eric Kripke and I are Corsican Twins.

Which explains all of those sudden pains I feel in the left side of my body during sweeps week…

Image credit: FreeDigitalPhotos.net

When Covers Show Too Much

I’m sitting on a little cherry bomb of excitement these days. I have in my possession the finalized cover art for The Curse Merchant, and it’s rocking my world. This was my first encounter with a design professional, and I’m sure that I’ll have several more such encounters in my future. The process of arriving at a final cover design was highly educational. I had to do my homework, and form my own philosophies on cover art.

One of the sticking points that jumped into my thinking early on was this… what do I show on the cover?

A quick perusal of comparable titles on Amazon gathered a wealth of data to sort through. Issues of high contrast, color schemes, font choice, as well as the fundamentals of design all sliced into my brain like a seagull through the engine of a 747. The resulting flurry of gore and feathers made me close my computer and go weep in a corner for several whiskey-soaked hours.

Gestalt! Squawk!

Allow me to briefly digress.

I’m a fan of the Finnish symphonic-metal band Nightwish. Recently I purchased their latest album, Imaginaerum, and spent several commuting hours immersing myself in a miniature movie in my own mind. Music unleashes serious creative energy in my brain, to the point where I often find it difficult to write without just the right kind of music playing in the background.

As my appreciation of this particular album grew, I discovered that a feature length film based on the music was in the works. Well, fine. I already had the entire movie going in my head, but whatever. I’m not Tuomas Holopainen’s personal screenwriter, after all. When the first video from the album hit Youtube, I was reluctant to watch it. How could it possibly be better than what I saw in my head?

Well, I finally buckled, and it turns out… I was absolutely correct. The video featured a kind of “behind the scenes” montage as the musicians were in costume, and at one point Holopainen hung from wires in front of a green-screen. This isn’t my issue as much as the fact that they didn’t look anywhere near as cool as they did in my mind. And I suspect, based on what I saw in the video, neither will the movie.

Which brings me back to the cover art of my novel.

One proviso I flung into the inbox of my artist was “No faces.” A reader’s visualization of a character, or even a setting, can be deeply personal. I didn’t want to skew the reader’s image of my protagonist by having a model’s face on the cover. Ultimately, I didn’t even show a faceless character. No over-the-shoulders, no three-quarters minus the head… not even a cufflink. It’s something I felt pretty strongly about.

And yet, when I look through Amazon, I see a parade of book covers with faces and bodies. I’m clearly in the minority here.

So I’ll put the question out to you, dear reader. When does a book cover show too much? Do you prefer not to have an artist show you how the protagonist is supposed to look? Or does it actually help?

I’ll be announcing the Curse Merchant cover reveal soon… possibly this week. So keep your eyes peeled!

Image credit: Free Digital Photos

Caught in the Gravity Well of a Book Release

Last week I announced my decision to self-publish The Curse Merchant, and immediately began the planning process. What I didn’t realize, as this is my first time at all of this, was how fast everything would happen when it started happening.

And sweet Jesus, things are happening!

Thus far I have secured the services of three separate professionals: an editor, an artist, and a publicist. Remarkably, I haven’t driven any of them to drink yet (that I know of). As of this morning, I have in my possession:

  • professional cover art
  • the final edit notes for the manuscript
  • a preliminary schedule for the book release

Why do I mention all of this? Mostly to excite you and generally whet your appetite. (Please note, one does not “wet” one’s appetite… one may wet one’s whistle while whetting one’s appetite, but only if one is trapped in an alternate universe dominated by Suess parlance.) But also, I find it remarkable how quickly things fall into place.

If one has a plan, that is. And medication.

That’s enough Zoloft for this edit, I think. And a few Levitra, because you never know…

It seems my notorious propensity for left-brained pre-writing extends to marketing. I have spreadsheets, lists, and lots and lots of folders. I will not comment on the existence of voodoo dolls or tiny darts with the Amazon logo on their flights.

I’ll be making a formal release announcement soon, and I’ve got some fun stuff planned in conjunction… so stay tuned. I’m on the search for advance reviewers. If you’re a book blogger/reviewer with an interest in urban fantasy and paranormal thrillers, I’d like to put a copy of Curse Merchant in your hands! Just rattle my chain…

In other news, Top Secret Manuscript ™ just broke 25K words, and it’s really starting to reach that point where the action is sucking me in. Seems I’m trapped between two gravity wells of creative projects these days.

In other other news, another one of my beers (the Munich Dunkel, for those of you playing along at home) took first place in a local competition, so it’s been quite a flush week!

Image credit: Maggie Smith

I am a Bond Villain of Social Media

I now have fingers reaching out into the Internet, like a Bond villain sending out henchmen to wreak havoc.

Out of curiosity, is there any other actual application for the word “wreak” that doesn’t immediately require the word “havoc?” Can you wreak peace? Or a martini?

In any event… I now have a Facebook Fan Page. If Facebook is your particular brand of vodka.

And as of this morning, I have bumbled into Tumblr.

As as always, if you’re a Twitter drinker, I can be found killing time there as well.

So, I’ve gotta run. There’s a water source I have to poison or a submarine I have to hijack, or whatever the hell Bond villains do. I honestly stopped watching after Lazenby. But before I go, feel free to click on the links and bask in my social media.